Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

Synthetic Worlds: Nature, Art and the Chemical Industry



Download Synthetic Worlds: Nature, Art and the Chemical Industry




Synthetic Worlds: Nature, Art and the Chemical Industry Esther Leslie
Language: English
Page: 280
Format: pdf
ISBN: 1861892489, 9781861892485
Publisher:

Review

"Fascinating. . . . Filled with sparkling things, as the story progresses to the Vorticists, Walter Benjamin''s arcades and chemical corporation I.G. Farben''s links with the Nazis."—Steven Poole, Guardian (Steven Poole The Guardian 20060601)

"Leslie quotes fascinating passages in which [Friedlieb Ferdinand] Runge saw his coloured pictures as indicative of the self-organising principle of life itself. She unearths other writers of equal interest to support her thesis. . . . The changes in attitude which she charts are interesting and important."--Andrew Crumey, Scotland on Sunday (Andrew Crumey Scotland on Sunday 20060601)

"An original account of the material history of colour as synthesised by chemistry. . . . Writes both beautifully and forcefully."--Art Monthly   (Ian Hunt Art Monthly 20070105)

"A gripping, mostly German history of a 200-year period during which perceptions about the relationship between art and nature were profoundly affected by the chemical industry, sometimes with devastating consequences. . . . Absorbing, shocking, and funny."--Modern Painters   (Modern Painters 20070803)

"A remarkable work of scholar that is rewarding to read on many levels. Although ''page-turner'' is not an adjective normally associated with reviews of academic books, it is one that sums up the enjoyment that I had when reading Synthetic Worlds. . . . an enjoyable read to the very last paragraph. . . . It offers a source of well-researched information, thought-provoking debate and an enjoyable read."—John Emsley, Times Higher Education Supplement   (John Emsley Times Higher Education Supplement 20070901)

"Synthetic Worlds by Esther Leslie is an absorbing account of the development of dyestuffs chemistry and technology in Germany, showing howw it tentative beginnings grew rapidly into a powerful synthetics industry. . . . There is, too, something sinisterly magical about the true historical process she chronicles. . . . The protests of the Situationists against the ''Society of Spectacle,'' the poems of J. H. Prynne which analyse the commercializing of the direct aesthetic experience, the satirical lyrics of the band Poly-Styrene (named after an IG product), the novels of Iain Sinclair--all are fragments shored against the ruin Leslie so compellingly describes."--Joseph Rykwert, Times Literary Supplement   (Joseph Rykwert Times Literary Supplement )

Synthetic Worlds revisits several aspects of our knowledge of the fascinating story of the emergence of artificial substances from the mid-nineteenth to the twentieth century; in doing so, it serves as an excellent example of how we might furthere explore a major technological change in history. The book opens new avenues of research. It examines synthetic products in a very different way than the approaches standard with the community of historians of science and technology. . . .  This is a daring and original book that will raise many interesting questions for historians of science and technology. Despite its heterodoxy, as a whole it challenges an overly optimistic image of science, technology and progress that is still a subtle component of our research agendas."--Isis (Agust� Nieto-Galan Isis )

"Leslie''s astonishing volume is at once eclectic and subversive, a pastiche of principles and practices laced into the lives and times that defined some of the most interesting and important chemical discoveries and inventions. . . . Enjoy the artwork and the extraordinary quality of the publisher''s efforts."—Choice (Choice )

"Leslie has produced a sparkling, kaleidoscopic exploration of what happened to art, aesthetics and the human condition when natural products were replaced by synthetic ones, and how industrial progress and consumerism have thrown up waste and pollution that even chemists cannot transform into value within a human timescale."– Ambix: The Journal of the Society for the History of Alchemy and Chemistry

(Ambix )

About the Author

Esther Leslie is lecturer in English and humanities at Birkbeck College, University of London, and the author of Walter Benjamin: Overpowering Conformism and Hollywood Flatlands: Critical Theory, Animation and the Avant-garde.

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